Setting – s/t
Surrealistic electro-folk experimentations adventurously abound throughout the new self-titled album by North Carolina Piedmont-based trio, Setting. Made up of multi-instrumentalists Jaime Fennelly, Nathan Bowles and Joe Westerlund, Setting freely improvises on banjos, zithers and synthesizers with tape loops, electronics and an abundance of percussion instruments. The trio leaned into their musical instincts by jamming loose…
Monks Pond – Echoes of an Infinite Dawn
Out of the sea spray mists of Asbury Park comes the mystically hypnotic sound bath jams of Monks Pond. For their fist full-length record, this heady six-piece blends together a hallucinatory brew of influences from Indian, Egyptian and Middle Eastern music, plus the stoic atmospheres of post-doom and cinematic ambient soundscapes. With immersive woody harmonium…
Concert Alert! 5/30: The Early, Emily Robb and Bent Light (Michael Slyne) at Prototype 237
Mark your calendars! We are very excited to co-present with Prototype 237 The Early and Emily Robb with Bent Light (Michael Slyne) and Amanmademadman PLUS an after party with Big Acid on May 30th at 7pm. Tickets are $20 and can be found here. *No one turned away for lack of funds. Please email Prototype 237 if ticket cost…
Johnny Bell – “Departure Valley”
On Mountain States, Johnny Bell evolves banjo music for the modern era, allowing the cultural and environmental climates of today to seep into and alter its very DNA. With the influence of the ambience of both Appalachia and the Rocky Mountains, a place Bell had called home for most of his life, and the co-production work of…
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About Me
Since 2012, Keith Hadad’s Record Crates United has been a home for wayward music. Artists and sounds from the past and present that may have or at least deserve to have a cult following will have their time here.
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